23/10/14 Uncategorized

Holiday Extras 30 years brand film


Holiday Extras approached us with an initial idea. The content outline was mandatory, but there wasn’t a visual hook to carry the narrative. The pop-up book idea was signed off once we’d submitted a detailed storyboard. Holiday Extras wanted a tech element in the sequence – the section where we have a close-up of the laptop screen – which is the only portion that does not have a stop motion feel.


Client: Holiday Extras


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Holiday Extras 30 years brand film
23/10/14 Uncategorized

Genting Casinos


Genting Casinos were already in possession of a suite of video brand properties. The brief in this instance was to emulate the feel of the earlier ones but with a specific visual narrative based around poker. Our version strips back the amount of type in the original and lets the visual aspects create the excitement.


Client: Genting Casino
Agency: Banana Kick


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Genting Casinos
23/10/14 Uncategorized

Lucre PR – Image generation

Billy Hanshaw Motion Graphics Leeds 3D modelling image retouching Lucre Angel Billy Hanshaw Motion Graphics Leeds 3D modelling image retouching Lucre-Crcystal-Ball-Ad

A shopping angel, a flashy bow-tie, a pile of pound coins and a pair of crystal balls – all created lovingly for the chaps over at Lucre.


Client: Various
Agency: Lucre PR


Billy Hanshaw Motion Graphics Leeds 3D modelling image retouching - Lucre Billy Hanshaw Motion Graphics Leeds 3D modelling image retouching Help-for-heroes

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Lucre PR – Image generation
23/10/14 Uncategorized

Odeon Digital Cinemas

Billy Hanshaw Motion Graphics Leeds 3D modelling Image Retouching Odeon Cinema

Commissioned by Tower Printing London.  A one-off execution for new digital cinema screens at the Surry Quays Multiplex.
Concept through to execution.


Client: Odeon Cinemas UK
Agency: Tower Printing


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Odeon Digital Cinemas
23/10/14 Uncategorized

Akzo Nobel aviation paints


Billy Hanshaw Motion Graphics Akzo NobelBilly Hanshaw Motion Graphics Akzo Nobel

Commissioned by thebeautifulmeme.com. The piece went through several variations in order to achieve the final look. Consideration was given to a pipeline where shots were used and retouched for differing aircraft liveries. In the end Cinema 4D’s mograph came to the rescue.
The model was also rendered out at hi-res for use in printed media.


Client: Akzo Nobel
Agency: The Beautiful Meme


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Akzo Nobel aviation paints
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