05/01/15 Uncategorized #

Christmas 2014 Greeting

A cheeky reskin of the work we did for the BBC helped us deliver some festive cheer for our clients and associates.
no responses
Christmas 2014 Greeting
22/12/14 Buzz #

Christmas in September…

Billy Hanshaw Motion Graphics Leeds Doctor Who

It was a late summer’s day in September, and the shops were already filling their shelves with Christmas goodies. And who can blame them, it was only three whole months until the big day after all. Billy and I found ourselves heading to Cardiff, to another place where Christmas had arrived early. For the first time since the completion of the Series 8 title sequence, we were on our way back to the BBC studios in Roath Lock.

Arranged for us by Doctor Who’s Post Production Supervisor, the delightful Nerys Davies, we were to spend the day with the equally delightful Edward (don’t call me Ed) Russell, Doctor Who’s Brand Manager. To my delight, I soon discovered that Edward was as big a fanboy as me. Billy could only look on bemused as we discussed whether Robot of Sherwood was more akin to The Android Invasion or The Androids of Tara. Tara all the way for me.

Our tour began on a snowy rooftop currently under construction. Edward introduced it as Clara’s roof, something we got to see in action for the first time in the Children in Need preview clip. I noticed a particularly out of place dvd copy of Brokeback Mountain lying innocently on the roof. For a moment my mind wandered as I imagined the outrage when it came to light that this was Steven Moffat’s inspiration for the Christmas storyline. It’s more Alien meets Miracle on 34th Street explained Edward. Maybe next year.

We next happened upon a large round structure, and we ventured inside. A lifetime of childhood dreams suddenly came true as we found ourselves in the TARDIS. And its actually smaller on the inside, its amazing what some cleverly placed camera angles can do. We explored the upper level book shelves and the lower level workshop, but it was the console to which we were both drawn. Billy couldn’t help but have a feel of the telepathic goo Clara got to grips with in Listen, and I just had to pull that infamous lever (see attached photo of me living the fanboy dream).

Billy Hanshaw Motion Graphics Leeds Doctor Who
Billy Hanshaw Motion Graphics Leeds Doctor Who

Our next stop was to watch some filming taking place. They were doing green screen stuff, and we found ourselves in a control room that Edward explained was only just recently an Arctic base. The crew were most welcoming, we were given headsets so we could hear what was being said on the studio floor as we watched the action on monitors. I can’t go into the details here, as I’m writing this before the Christmas episode airs, but Peter Capaldi and Jenna Coleman were both there, as was Nick Frost’s Santa. The scene is from late on in the episode, and we gleaned a few spoilers that I couldn’t possibly divulge here. We also learned that guest cast can be hilariously potty-mouthed between takes. Edward was fantastic at explaining what was going on and why things were being done in a certain way. To my disappointment he was also fantastic at deflecting any attempts I made to get hold of any more spoilers. He teased us by asking who we thought Missy was, and sat poker faced as I rambled my various theories. He even suggested that she may be an entirely new character to throw me off the scent completely, the little rascal.

Lunch was called, and Edward steered us towards the door the cast would emerge from. This was our chance to get a quick hello with the stars. Jenna Coleman smiled at us and said hello as she studied her mobile, and true to form Billy walked straight into guest star Natalie Gumede. “Don’t worry about it love,” she said, laughing. We spotted Peter Capaldi emerging, and Edward called him across. We were introduced, and Peter enthusiastically shook our hands. We were pleased to learn that he loved the new title sequence, otherwise things may have been a little awkward! We chatted for a few minutes, Peter was keen to learn about our work and future plans. I also managed to connect with his inner fanboy, as conversation somehow turned to the costume design in 1970s Who. I’m sorry, I can’t help it.

Billy Hanshaw Motion Graphics Leeds Doctor Who

To our delight, Peter suggested we head to his TARDIS for some photos. Edward did the honours with the camera as we stood with the new Doctor in his console room. I even got to reproduce the classic Jon Pertwee/Katy Manning pose, as Peter pointed at a distant threat and I looked on horrified. Katy had been on set just a few days earlier, as she was filming a guest spot for Casualty in the studio next door. Edward told Peter that the next day original companion Carole Ann Ford was to make a visit, prompting Peter to wonder if his Doctor could ever go back and visit his grand daughter in the show. I cheekily asked Peter for an autograph, Edward joked that Peter will no doubt be asking the same of Carole tomorrow. Peter wrote a lovely thank you message to Billy on the article about the title sequence in a copy of Doctor Who Magazine. Then, having given up half his lunch break to spend time with us, Peter headed off, but not before asking us to go back to the other set and watch some more filming. Which of course we did.

Billy and I would like to extend our gratitude to Nerys and Edward for organising our visit, to the cast and crew for their hospitality, and especially to Mr. Peter Capaldi for being so generous with his time. A wonderful Doctor and a wonderful man.

Jon Butler.

Billy Hanshaw Motion Graphics Leeds Doctor Who
no responses
Christmas in September…
23/11/14 Uncategorized #

Doctor Who Series 8 Titles


BBC Series 8 Final Titles

Concept development form Billy Hanshaw Studio

The Youtube video that started it all

Thank you teaser

Pre-production wireframe

So the first question was… how do we get into the cogs without the fob watch? The answer was through the mists of time of course! The narrative was devised with the exclusion of the fob watch and the Seal of Rassilon (Time lord insignia), which featured in the Youtube video that won us the gig. The customary use of the Doctor’s face ended up having a more ghostly appearance in the revised version, after which we travel on and out into the universe. The technique used for the spiralling clock faces is known as the droste effect. The appearance is recursive: the smaller version contains an even smaller version of the picture, and so on.  The thought behind it is in part a homage to the video feedback, howl around technique used in the very first Hartnell sequence.

Working with Steven Moffat, Brian Minchin and the BBC Wales production team has been such a gratifying experience  – and it’s amazing to think that my name will be eternally linked with such a radical change of style for such a huge show.

We provided a fully finished piece and concept storyboard (using stills from our sequence) which the BBC team took forward.  This included the thought behind each element and suggested font usage. We barrel-rolled a camera through the cogs and introduced the glowing circles on the gearwheels, pulsing to the undulating bass of the music. There’s also subtle push on the camera after the sting, which boosts momentum. The pre-vis work used the Eccleston theme from series 1 to time each section.

The final titles used in the show, were built by BBC Wales VFX to allow for as much flexibility for future use, such as in-show segments and have a colour shift from the purple to blue. We heard Murry Gold’s new arrangement of the theme music at the Cardiff premiere – it had been a closely guarded element until then – and we think it is wonderful.

As an additional thank you to the BBC team we created the who-themed web-teaser alluding to the new series but also our new site launch on the 23rd August 2014.

There is nothing more thrilling than when the audience talks back. Billy’s brilliant concept for a new Doctor Who title sequence, is the only truly new idea I’ve seen since the very original. I saw it a while back on YouTube, and was knocked out. It was a pleasure to get him to the Doctor Who studios to work on a broadcast version. This is the Doctor Who dream incarnate – the TARDIS can appear any moment and whisk you to the stars.

Steven Moffat

no responses
Doctor Who Series 8 Titles
23/08/14 Buzz #

Media mania…

Billy Hanshaw Motion Graphics Look North

It’s been a frantic week, what with interviews left, right, centre and even New York!

Ian Young at the BBC did a lovely write up of an interview he conducted over the phone.  Thanks Ian.

I ended up on the Sofa with Harry and Amy (Look North)
Radio Leeds and Radio Aire did an interview.

And apparently, you have become someone these days if you get a buzzfeed entry too.
Buzzfeed entry…

Marketing Magazine did a piece

And with articles in The Drum, International Business Times, The Guardian, and Financial Times – it’s been a crazy, crazy month!

Updates:

There’s been a bit more media interest since I did the BBC TV appearance. Jonny (our producer) even had an article printed in Doctor Who magazine, his talents know no bounds!

We attended the filming of the Christmas Special and had lunch with Peter Capaldi.

no responses
Media mania…